Tag: landscape photography

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To the edge of the Walls: Stephen Spurling’s 1903 hike to the Little Fisher ‘Gulf’

It would be easy to dismiss hiking trips as frivolous. Urban people taking the airs. Weekenders marvelling at ‘new’ landscapes others work in all week. Spiritual awakenings in firestick farmlands. Bushwalkers are rarely explorers even in the European sense of discovering a place known to the Aborigines for 60,000 years. Generally they tread a well-trodden path.

But I do get interested when bushwalking accounts give us historical insights. They can tell us when something happened, when a structure was built or destroyed or a track cut. They can help trace the development of technology. Take, for example, the story of photographer Stephen Spurling III (1876–1962) lugging 12 x 10-inch glass plates up Stacks Bluff through snow drifts on home-made snow-shoes to take the first Tasmanian highland snow scenes.[1]

There is a charming naivety about all Spurling’s accounts of hiking the northern ranges in the years 1895–1913. These were young men plunging agreeably into what was to them the unknown. In his report of a 1908 trip from Ironstone Mountain to Lake St Clair Spurling described the Central Plateau as ‘A Terror Incognito’, his party being unable to score reliable information as to what lay ahead of them, just ‘rumours of precipitous valleys and impassable bogs dense belts of scrub and other obstacles to progress …’[2] Highland stockmen and hunters, or experienced Launceston hikers such as William Dubrelle (WD) Weston and Richard Ernest ‘Crate’ Smith could have advised him, had he known to ask them. There were no walking clubs then to act as a repository of hiking knowledge. There was no digital newspaper index to search. This was a world not over-stimulated by visual images. No internet, no TV, no neon billboards. You could buy albums of Tasmanian views from photographers like John Watt (JW) Beattie, but the era of press photography was just dawning.

Spurling could see a market for Tasmanian scenery in both albums and illustrated weekend newspapers. He loved the Central Plateau. In 1899 he and a group of friends climbed the Great Western Tiers at Caveside and crossed the Plateau to see Devils Gullet.[3] In early 1901 he was part of a group that ascended the Tiers above Meander and worked its way west past Lake Mackenzie, once again to Devils Gullet.[4] Spurling scenes of the Tasmanian highlands were a striking feature of the Weekly Courier from its inception in July 1901.

Devils Gullet was then known as ‘The Gulf’. However, Spurling had heard of a ‘magnificent’ ‘Second Gulf’ ten miles (sixteen kilometres) back from the escarpment where the Fish River—actually the Little Fisher River—made its escape to the Mersey.  Spurling’s map placed this gulf, quite correctly, in the vicinity of the Walls of Jerusalem—something of a mythic land for bushwalkers well into the twentieth century. Although surveyor James Scott had charted the Walls of Jerusalem as early as 1849, and the mountain complex was well known to highland graziers and hunters, hikers were in the dark about it.  Scott’s map was not in circulation, nor were the earlier exploratory accounts of John Beamont and Jorgen Jorgensen.[5] Launceston walkers WD Weston and probably Ernest Law had visited the Walls of Jerusalem and the so-called Rugged Mountains after Christmas in 1888, but the only copy of their account of the expedition disappeared in the Daily Telegraph newspaper office and was never published.[6]

Approximate route of Spurling party to Little Fisher Gulf 1903, map courtesy of DPIPWE.

Blissful in their ignorance, Spurling and his three mates set out for the Second Gulf one autumn weekend in 1903. This time they chose the Higgs Track up the Great Western Tiers near Western Creek. Although Spurling’s report of the trip was not his most entertaining, he observed familiar picaresque conventions of the time. A ‘Jehu’ (biblical chariot driver) delivered the party from Deloraine Railway Station to Dale Brook and back. Only one of the party, the ‘Infant’, received a nickname, that being punishment for describing photography as ‘funny business’.

Campsite on the Higgs Track below the lip of the plateau. Stephen Spurling III photo from the Weekly Courier, 4 April 1903, pp.20-21.

Moist westerly winds impeded their progress up the valley of Dale Brook. The four made base camp in a canvas-roofed shelter just below the lip of the plateau, and spent the rest of the day battling the wind as they reconnoitred around Lake Balmoral. From a hill they sized up the ‘unknown’ country to the south-west that they hoped to penetrate.

One of the Blue Peaks and its accompanying lake, Stephen Spurling III photo, from the Weekly Courier, 4 April 1903, p.21.

Next day they made their push for the Second Gulf. Leaving Lake Balmoral to their right, they reached lake Lucy Long, forded Explorer Creek and the Fisher River, and by 9 am had attained the summit of one of the Blue Peaks.  A tongue of land separating Little Throne Lake from its northern neighbour provided a bridge, and by 11.30 am, after six hours’ hard walking, the party stood near Turrana Bluff on the brink of ‘a tremendous gorge, known to a few hunters and shepherds as the Second Gulf, and which corresponds on the map with the Walls of Jerusalem’.

View of the ‘Second Gulf’ (Little Fisher River ‘Gulf’), Stephen Spurling III photo from the Weekly Courier, 4 April 1903, p.20.

Dazzled, perhaps, by his view of the Walls, Spurling described only the ‘wild, serrated form’ of the ‘Rugged Mount’, which made ‘a most impressive background’. Four long silvery streaks of waterfalls dropped over the chasm in the distance. Despite tramping from Ironstone Mountain to Lake St Clair in 1908, this is as close as he would ever get to the Walls of Jerusalem.

Mist cut short the day’s exploration. Yet, with practical ingenuity typical of the time, Spurling’s party cornered and killed a wallaby, part of which they roasted for their evening meal back at base camp. Their final day was spent revisiting Devils Gullet and exploring the course of the Fisher River above it without, apparently, finding the Parsons Hut which Spurling would photograph on his next expedition to these parts—the winter 1904 snow-shoe extravaganza.[7]

[1] Stephen Spurling, ‘Ben Lomond in winter’, Weekly Courier, 19 September 1903, pp.25–26; 26 September 1903, p.26; 3 October 1903, pp.25–26; 10 October 1903, p.35.

[2] S Spurling Junior (Stephen Spurling III), ‘Across the plateau’, unpublished account held by the Spurling family, Devonport. The account is dated February 1913, but the numbering of Spurling’s photos from this trip suggests 1908. The many typographical errors in the paper suggest that someone else transcribed it from Spurling’s handwritten original. The date may be another transcription error.

[3] ‘Union Jack’ (Stephen Spurling III), ‘A trip to the Gulf and Westmoreland [sic] Falls’, Examiner, 20 January 1900, p.7.

[4] ‘The Hermit’ (Stephen Spurling III), ‘In the highlands of Tasmania’, Weekly Courier, 20 July 1901, pp.123–24.

[5] For Beamont: ‘Copy of Mr Beamont’s journal taken on his tour to the Western Mountains, Van Diemen’s Land, Monday, 1st Decr, 1817’, Historical Records of Australia, series III, vol.III, Library Committee of the Commonwealth Parliament, Canberra, 1921, pp.586–90. For Jorgensen: His travels were deciphered by Arch Meston and CJ Binks, see Binks, Explorers of western Tasmania, Mary Fisher Bookshop, Launceston, 1980, pp.48–57.

[6] Weston alludes to the Walls of Jerusalem trip twice in an account of a Cradle Mountain trip in 1890–91. See ‘Peregrinator’ (WD Weston), ‘Up the Cradle Mountain’, Examiner, 4 March 1891, supplement, p.2 and 11 March 1891, supplement, p.1. Weston also appears to allude to this trip in a letter to AV Smith (2 May 1889, CHS47 2/56, QVMAG) and comments on its disappearance in a letter to RE ‘Crate’ Smith (24 September 1889, CHS47 2/55, QVMAG). For

[7] S Spurling jun, ‘On the Western Tiers: trip to the Fish River Gulf’, Tasmanian Mail, 4 April 1903, p.4. For the winter 1904 snow-shoe extravaganza, see Simon Cubit and Nic Haygarth, ‘Sandy Beach Lake Hut’, in Historic Tasmanian mountain huts: through the photographer’s lens, Forty South Publishing, Hobart, 2014, pp.84–91.

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To Lake St Clair with car and camera

Starting out from the Ouse River in the Hupmobile, 1914-15 trip. Ray McClinton photo from the Weekly Courier, 28 January 1915, p.18.

It was the first motor trip to Lake St Clair. In 1915 pioneering motor tourers Ray and Edith McClinton mounted a two-week expedition from Launceston to the highland lake, with ‘Nina’, social pages and women’s editor of the Weekly Courier newspaper, as their guest. The Hupmobile party, towing an additional 120 kg of motor boat engine and luggage, battled rocks, ruts, rain and button grass up the Derwent Valley, breaking their trip at Ouse, the Ellises’ house near the Dee River, Weeding’s at Marlborough and Pearce’s at the Clarence River.[1]

McClinton, a San Francisco dentist who with his wife lived in Launceston 1904–28, would soon become one of Tasmania’s great tourism ‘boosters’.[2] Like fellow Launceston rev-heads Stephen Spurling III, Fred Smithies and HJ King, McClinton worshipped both nature and technology. He wanted to crash deep into the highlands, breaking down the physical and virtual isolation with carburettors and cameras. He was also imbued with fervour for worthy objects and the nineteenth-century tradition of public education that made him a consummate lantern slide lecturer on anything from x-raying teeth to colour photography.[3] Soon he would turn those skills to promoting Tasmania’s scenic wonders. Visiting Lake St Clair was one of the foundation stones of his eventual campaign in support of plans for a Cradle Mountain-Lake St Clair national park.[4]

The Hup party at the government log cabin, Cynthia Bay, Lake St Clair, 1914-15 trip, with the unmistakable figure of Paddy Hartnett closest to the camera. Ray McClinton photo from the Weekly Courier, 28 January 1915, p.18.
The motorboat and Paddy Hartnett in the lake, 1914-15 trip. Ray McClinton photo from the Weekly Courier, 28 January 1915, p.18.

Already there was rudimentary infrastructure at the lake. The Hup party took advantage of the government-built three-room log cabin at Cynthia Bay. On foot at last they crossed the Cuvier River on a rustic bridge. McClinton attached his engine to the boat at the lake, enabling communication with the Perrin party —a pedestrian party—camped near the Narcissus at the northern end of the lake. Highland guide Paddy Hartnett had led them to Lake St Clair via the Mersey River.[5] ‘Nina’ marvelled at the reflections in the Narcissus River and the gambolling of a platypus. She made even the ‘perfume of petrol’ mingle poetically with the ‘sweet scent of the woods’, as the first propeller churned the waters of Lake St Clair. A storm disrupted the return journey down the lake but, with the aid of axe, saw, lamp and candles, McClinton soon fashioned ‘Nina’ a comfortable bower in the forest:

‘Imagine myrtle trees towering over a hundred feet high, and their branches interlaced, so that only patches of sky could be seen above, and only glimpses of the lake between. Then picture tree-ferns all around, and green moss for a carpet. Add to his a vision of remnants of fallen trees of age untold, coated with moss inches thick, like green plush. The imagine crystal streams trickling down the mountain side … The whole scene was fairyland …’[6]

But who was ‘Nina’? She was an outstanding journalist called Kate Farrell, better known by her pseudonyms ‘Nina’ and ‘Sylvia’. Her literary career spanned 33 years and included both Launceston dailies, the Daily Telegraph and the Examiner, plus their respective weekend newspapers, the Colonist and the Weekly Courier.[7] The scale of her anonymity can be tested quite easily by searching the Trove digital database: during her literary career c1894–1927 the name Kate Farrell has only 7 hits, while ‘Woman’s World’ by ‘Sylvia’ occurs 1933 times.[8] ‘Woman’s World’ was generally frocks, recipes and home hints. In 1914 Farrell published her 96-page Sylvia’s cookery book.[9] During World War One she turned her attention to bringing comfort to those at the front, and she was also a ‘booster’, penning tourist guide The charm of the north in 1922.[10] Farrell had been motor touring with the McClintons for years, having accompanied them to Lake Sorell in their Winton Four and on Edith McClinton’s one-woman non-stop run from Launceston to Richmond in the Hupmobile. [11] Farrell preceded Ray McClinton as a tourism ‘booster’, and at Lake St Clair she quickly got into her stride:

‘The beauty of the scene is inexpressible. One can imagine the crowds of tourists who would visit Lake St Clair if the road were made. A number of small chalets built, with a caretaker in charge, and a motor boat available for the use of visitors, would help matters along considerably. I hope it will not be long before such dreams come true’.[12]

Stuck in a wash-out near Ellendale, 1916-17 trip, King and McClinton in action. HJ King photo courtesy of Daisy Glennie.
The Hupmobile, containing the two ladies, and McClinton in the ‘Baby Grand’ Chevrolet, posed as if tackling the corded track, 1916-17 trip. HJ King photo courtesy of Maggie Humphrey.
‘The darkroom at Lake St Clair’, HJ King despairs over the photographic facilities, 1916-17 trip. HJ King photo courtesy of Maggie Humphrey.

 

The 1916-17 party at Bushy Park, Sir Philip Fysh with the white beard, the McClintons at centre, with Kate Farrell fourth from left. Bushwalker and park administrator WJ Savigny is second from left. HJ King photo courtesy of Maggie Humphrey.

The McClintons and Farrell repeated their Lake St Clair excursion two years later, this time with the established amateur photographer HJ King. While King drove McClinton’s faithful old Hupmobile (registration number 586), the dentist was at the helm of his new ‘Baby Grand’ Chevrolet (number 4465). Both vehicles survived—but, in the true tradition of motor touring, it was a near thing for much of the way. The government accommodation house had been destroyed by fire in the intervening two years. However, rather than repeat herself, Farrell minimised her tourism boosting and concentrated on describing the route taken and the social pleasantries of a visit to former premier Sir Philip Fysh’s Bushy Park estate.[13] The real reporter was King. McClinton deferred to the superior shutterbug, allowing him to be the official tour photographer, and many King photos from this trip appeared in the Weekly Courier during 1917, including his light-hearted ‘Lake St Clair Darkroom’.[14] King’s keen eye captured the logistical difficulties of the corrugated track, with block and tackle deployed near Ellendale, some pick and shovel work on the Sandhill at Lawrenny and rescue by a bullock team near Derwent Bridge. McClinton also appears to have had a long stint with a hand saw clearing a fallen tree. One of the most interesting images from the trip was McClinton, the ex-patriate American, recalling his military training by posing with a gun upon his shoulder, as if guarding the beauty of Lake St Clair.[15] How far they were from the European War (King was a conscientious objector, McClinton effectively neutral), yet the connection remained even here.[16]

Ray McClinton posed militarily in front of Mount Ida, 1916-17. HJ King photo courtesy of Maggie Humphrey.

‘To Lake St Clair with car and camera’ became one of first outings of the McClinton–King lantern lecturing team.[17] Later, with Fred Smithies, they would add Cradle Mountain and the Pelion region to their lecturing repertoire. At her retirement in 1927 Kate Farrell was ‘Launceston’s senior press woman’ and the last of the Weekly Courier’s original staff. [18] The McClintons were there to farewell her, just ahead of their departure from Tasmania.[19] Farrell died in 1933, after a long battle with illness, leaving only King to enjoy the road they had craved, the ‘missing link’—forerunner of the Lyell Highway—between Marlborough and Queenstown.[20] By then Lake St Clair was well on its way to becoming a tourism hub.

[1] See ‘Nina’ (Kate Farrell), ‘A trip to Lake St Clair’, Weekly Courier, 21 January 1915, p.29; 28 January 1915, pp.27–28; 4 February 1915, pp.28 and 29; and 11 February 1915, p.28.

[2] Edith McClinton actually left Tasmania for Honolulu in June 1927 (‘Social notes’, Daily Telegraph, 22 June 1927, p.2), Ray MClinton joining her there in November 1928 (‘Dr Ray McClinton’, Mercury, 8 November 1928, p.11).

[3] See, for example, ‘X-rays and the teeth’, Examiner, 18 June 1925, p.5.; and ‘Local and general’, Daily Telegraph, 5 July 1923, p.4. For Launceston rev-head photographers generally, see Nic Haygarth, The wild ride: revolutions that shaped Tasmanian black and white wilderness photography, National Trust of Australia (Tasmania), Launceston, 2008.

[4] McClinton and Smithies had visited the Du Can Range area in 1913, and may have visited Lake St Clair at that time, but that was a pedestrian trip.

[5] See ‘The adventures of Paddy’s Gang: an account of a Perrin family trip to Lake St Clair guided by Hartnett over the Christmas–New Year period in 1914–1915’, diary in possession of Bessie Flood.

[6] ‘Nina’ (Kate Farrell), ‘A trip to Lake St Clair’, Weekly Courier, 28 January 1915, p.28.

[7] ‘Miss K Farrell’s death’, Examiner, 4 July 1933, p.9. Thanks to Ross Smith for identifying ‘Nina’.

[8] The Weekly Courier is not yet indexed on Trove, making it impossible to search on ‘Social notes’ by ‘Nina’. Propriety of the time contributed to this disparity, insisting that she be referred to simply as ‘Miss Farrell’ throughout her life.

[9] ‘Social notes’, Daily Telegraph, 25 May 1927, p.2. The full details are K Farrell, Sylvia’s cookery book: tested recipes and items of interest, Launceston, 1914.

[10] K Farrell, The charm of the north, Launceston City Council, Launceston, 1922.

[11] ‘Nina’ (Kate Farrell), ‘Camping at Interlaken’, Weekly Courier, 21 January 1909, p.29; ‘Exhaust’, ‘Motor notes’, Daily Telegraph, 9 November 1911, p.11.

[12] ‘Nina’ (Kate Farrell), ‘A trip to Lake St Clair’, Weekly Courier, 11 February 1915, p.28.

[13] ‘Nina’ (Kate Farrell), ‘A trip to Lake St Clair’, Weekly Courier, 11 January 1917, p.27. The trip was also written up by ‘Spark’ (Charles George Saul), ‘Motoring’, Examiner, 13 January 1917, p.4. Thanks to Ken Young for identifying ‘Spark’.

[14] See Weekly Courier, 11 January 1917, p.17; 18 January 1917, p.18; 25 January 1917, p.17; 1 February 1917, p.17; 15 February 1917, p.17; 22 March 1917, p.20; 5 April, pp.17, 20 and 21; 31 May, p.21; 13 September, p.17; 18 October 1917, p.17; and 1 November 1917 (Christmas issue), p.22.

[15] Ray McClinton performed military training 1900–02 in California, film no.981549, MF4:2, National Guard Registers v.61, 1st Infantry, 2nd Brigade, Enlisted Men, 1883–1902, California, Military Registers, 1858–1923.

[16] McClinton supported the Allied war effort, but America did not enter World War One until April 1917.

[17] See ‘Spark’ (Charles George Saul), ‘Motoring’, Examiner, 3 February 1917, p.4; ‘Plug’, ‘Motor notes’, Daily Telegraph, 13 February 1917, p.6.

[18] ‘Journalist honoured’, Examiner, 24 May 1927, p.7, ‘Social notes’, Daily Telegraph, 25 May 1927, p.2.

[19] The McClintons’ names were accidentally omitted from the Examiner’s story of this event. See the correction, Examiner, 25 May 1927, p.7.

[20] ‘Miss K Farrell’s death’, Examiner, 4 July 1933, p.9.

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‘Take her with you!’: Lucy King, the lady in the sidecar

‘The darkroom at Lake St Clair’, HJ King despairs over the photography facilities, 1917. HJ King photo, courtesy of Maggie Humphrey.

The young Herb (HJ) King was a rev-head with an artist’s eye, a man beguiled by cameras and carburettors. The frontage of his father’s motorcycle shop, John King and Sons, which he eventually took over, remains a landmark of the Kingsway, off Brisbane Street, Launceston, long after it closed. In 1921 the rival Sim King’s motorbike shop at the other end of Brisbane Street ran an advert for machines with ‘double-seated’ sidecars: ‘Take her with you!’[1] That is exactly what Herb King was already doing, the sight of his wife Lucy in the sidecar of his Indian motorbike becoming a signature of his photography in the period 1919–25.

It was perhaps King’s conservative Christadelphian faith that determined that he marry young, have children and place the role of family man before all else. He married Lucy Minna Large in Hobart in December 1918. Lucy recalled that King drove her father from Hobart to Launceston. Alighting from the car, Charles Large said ‘Oh, my boy, it’s a long way’, to which King replied, ‘Yes, Charles, what about letting Lucy and I get married at Christmas, instead of waiting?’ She was eighteen years old. He was 26.[2]

Lucy in the sidecar at Moina, just off the Cradle Mountain Road, 1919. HJ King photo courtesy of Maggie Humphrey.

After this, before their first child was born, Lucy was a feature of King’s photography, accompanying him on most of his photographic trips. King got to Cradle Mountain slightly ahead of his nature-loving friends Fred Smithies and Ray McClinton. In December 1919 Herb, Lucy, her sister and a friend started for Cradle on motorbike and sidecar. After staying a night at Wilmot, they had Christmas dinner at Daisy Dell, Bob Quaile’s half-way house, with Lucy making a success of her first Christmas pudding. The track from Daisy Dell across the Middlesex Plains to Cradle Valley was so rough that Quaile bore most visitors along it on various horse-drawn wagonettes. Lucy recalled that on this occasion he was equipped with a two-seater:

‘He could only take one passenger and himself, and he had a horse for other people to ride. I had grown up on a farm and I was happy to ride, but my sister wouldn’t get on, and my husband got on one side and got off the other, and said ‘That’s all I’m having’. We arrived at Cradle Mountain with pounds of sausages around someone’s neck because it had rained and washed the paper off … ‘[3]

This was King’s first meeting with Gustav Weindorfer, the proprietor of Waldheim Chalet at Cradle Valley, who was then campaigning to establish a national park at Cradle Mountain. Weindorfer guided the Kings to the summit of Cradle, and it was there, with numerous peaks and Bass Strait spread out before him, that King’s plan to map the country by aerial photography was developed. ‘It was a glorious day’, King recalled, but the ‘progressive’ man of machines was impatient with foot transport:

‘ … as the afternoon was now getting on, we made a laborious descent over the great boulders and across the plateau to Waldheim. How slow the travelling was!—nearly three hours to cover a short three miles—but amidst such scenery we made light of it. We said to ‘Dorfer’ (as he afterwards became known to his friends): ‘Just fancy; if we had a ‘plane we could do the distance in under three minutes …’ Afterwards we talked as we sat inside the great fireplace of the possibilities of preparing an aerodrome in Cradle Valley, and of landing in Lake Dove with a seaplane’.[4]

Car trouble for McClinton on the road to the Wolfram mine, Easter 1920, with (left to right) Paddy Hartnett and Fred Smithies helping out; Lucy King ensconced in the Indian sidecar; and either Ida Smithies or Edith McClinton blurred in motion in the foreground. HJ King photo courtesy of Maggie Humphrey.
Lucy looking distinctly unimpressed on the road to Pelion at Easter 1920: was it the rough ride or the close attention that dismayed her? HJ King photo courtesy of Maggie Humphrey.

Lucy’s passive role in King’s photos belies that she could not only ride a horse, but was the first Hobart woman to own a motorcycle driver’s licence. She proved her mettle as a walker, too, when at Easter 1920 the Kings visited Pelion Plain and the upper Mersey River, with Fred and Ida Smithies, Ray and Edith McClinton, and Paddy Hartnett as a guide. This was the first time motor vehicles—that is, McClinton’s Chevrolet and King’s Indian—had entered the valley of the upper Forth River. The steep, rutted climb out of Lemonthyme Creek defeated the car until Hartnett cut wooden blocks to support the wheels. The guide also cleared a large tree off the track next day, after the party had spent a night at ‘the Farm’, that is, Mount Pelion Mines’ hut and stables near Gisborne’s Farm. The ‘Bark hut’, 3 km north of the Lone Pine wolfram mine (aka the Wolfram mine), was the terminus for the vehicles. Only Hartnett’s ingenuity and McClinton’s kit bag of cross-cut saw, axe and shovel got them that far. Now they started on foot for the mine and beyond that the Zigzag Track to the copper mine huts at Pelion Plain, a pack horse carrying much of their gear.[5] Lucy recalled walking

 

‘eight miles in the pouring rain and when he reached the hut at the top nobody had a dry stitch. Fortunately for the ladies there were two trappers there, and they obligingly said, ‘You come into the hut where this fire is, and get yourselves dried out, and the men will go to the other hut and make a fire for the same purpose’. The next morning when we woke up it was one of the most beautiful sights that was possible. There wasn’t a blade of grass that wasn’t covered in snow’.[6]

Mount Oakleigh and Old Pelion Hut, still with their dusting of snow, Easter 1920. HJ King photo courtesy of Maggie Humphrey.

That view included Mount Oakleigh, which Herb King photographed. Members of the party visited Lake Ayr and the head of the Forth River Gorge before starting on the return journey.[7]

‘The huntsman’s story’, taken in the mine workers’ hut at Pelion Plain, with (left to right) Ray McClinton, Paddy Hartnett, Lucy King, HJ King, Ida Smithies and Fred Smithies. HJ King photo courtesy of Maggie Humphrey.

Although Paddy Hartnett never used the media, he was equally significant as Weindorfer in the development of a Cradle Mountain‒Lake St Clair National Park. Hartnett’s Du Cane Hut, also known as Cathedral Farm and Windsor Castle, was effectively his Waldheim, a tourist chalet among the mountains. King’s treks to Cradle Mountain and Pelion with their respective guides were transformational in the sense that, although he never became a hardened bushwalker like his fellow photographers Spurling, Smithies and McClinton, he did become a promoter of the Cradle Mountain-Lake St Clair National Park proposal. McClinton photos from this trip appeared in the Weekly Courier, and he, Smithies and King lantern lectured about the proposal.[8]

A slide survives of King promoting himself as a nature photographer, suggesting that he toyed with the idea of turning professional. Presumably, he decided it would not pay. The Kings were a very conservative family. His grandmother, said to be the first Christadelphian in Tasmania, was reputedly disgusted by King’s spending on photographic materials. Perhaps family influenced his choice of career. It is possible that the family motorcycle business seemed a safer bet, or that he felt obliged to follow in his father’s footsteps. Ultimately, people, family and faith meant more to King than any machine or any gadget. It was probably not just for artistic purposes—the compositional need for a foreground—that he placed Lucy in so many of his images. It signalled that she was foremost in his thinking.

[1] See, for example, Sim King advert, Examiner, 2 July 1921, p.14.

[2] Lucy King, transcript of an interview by Ross Case, 18 March 1993, OH18 (Queen Victoria Museum and Art Gallery [hereafter QVMAG]).

[3] Lucy King, transcript of an interview by Ross Case, 18 March 1993, OH18 (QVMAG).

[4] HJ King, ‘A flight to the Cradle Mountain’, Weekly Courier Christmas Annual, 3 November 1932, p.12.

[5] ‘Motors, cycles and push bikes’, Daily Telegraph, 17 April 1920, p.5.

[6] Lucy King, transcript of an interview by Ross Case, 18 March 1993, OH18 (QVMAG).

[7] ‘Motors, cycles and push bikes’, Daily Telegraph, 17 April 1920, p.5.

[8] See Weekly Courier, 15 July 1920, p.24. McClinton’s photos of the Easter 1920 trip with the Kings, Smithies and Hartnett was used here to illustrate part one of George Perrin’s account of a January 1920 trip into the same country with his wife, Florence Perrin, their friend Charlie MacFarlane and Hartnett (‘Trip to Tasmania’s highest tableland’, Weekly Courier, 8 July 1920, p.37).